Posts

Showing posts from November, 2019

Druid Shakespeare: Richard III

Image
photo by Richard Termine
Richard III has never been my favorite Shakespeare, but the current production in Lincoln Center’s White Light Festival, produced by Druid, a theater from Ireland, has shown me how great this unwieldy can be. Druid Shakespeare: Richard III is brilliant, bordering on expressionism, directed meticulously by Druid’s Artistic Director, Garry Hynes. 
Queen Margaret skulks across stage before Richard enters, looking like a ghost in diaphanous gauze, in the play’s most surreal moment. Only then Richard enters from the floor with the famous soliloquy. This isn’t the text-based delivery of the 19th-century nor the rushed gone-before-you-know-it delivery that’s currently the rage in some circles. It’s metered, controlled verse supported by character and emotion. This Richard is bragging, not threatening, daring or confiding, and we become complicit in his crimes.
And that complicity remains throughout the play. Richard is a wise guy, his lines, with some exceptions, mockin…

The Catastrophe Club

Image
photo by Jeremy Varne
The future of the theater lies largely in immersive theater. Sea Dog Theater (along with Janelle Garcia Domig and Christopher Domig) has just produced a very interesting immersive production called The Catastrophe Club. It’s written by David Burnam and directed by Shaun Fauntleroy - in both cases quite well - and produced at a location undisclosed until the day before the individual audience member sees it. You get an email telling you where to report. Very intriguing…
The small audience nearly surrounds the small main playing area. The lighting is suitably harsh. The time is 2520. We’re welcomed by our hostess, Ruth: “Hello, criminal,” she says. Peaceful assembly, it seems, is outlawed in 2520: “The last time there was an infraction for public congregation was 25 years ago. It was a wedding.”
That’s the outer frame of the play: we’ve assembled here to watch in the inner frame: four simulated people from the year 2019. Simulated, but based on “real” people - climate…