C.S. Lewis on Stage: The Most Reluctant Convert
C.S. Lewis lived between 1898 and 1963. He’s best
known for his works of fiction such as The
Screwtape Letters and The Chronicles
of Narnia, although his non-fiction work is arguably more important. He
ranks among the foremost 20th-century Christian apologists and
theologians.
Max McLean has written a terrific solo show in which
he presents Lewis in his study at Magdalen College, Oxford, in 1950, C.S. Lewis on Stage: The Most Reluctant
Convert. Mr. MacLean is the show’s actor, and he’s co-directed it with Ken
Denison.
The script details Lewis’ conversion from atheism to Christianity, delineating the transformation in discrete steps. Lewis begins with his childhood in Belfast: “Mother’s death produced in me a deeply engrained pessimism,” he tells us. And “At 13 I ceased to be a Christian. At that age one scarcely notices.” He was confirmed in The Church of Ireland “in total disbelief.”
The script details Lewis’ conversion from atheism to Christianity, delineating the transformation in discrete steps. Lewis begins with his childhood in Belfast: “Mother’s death produced in me a deeply engrained pessimism,” he tells us. And “At 13 I ceased to be a Christian. At that age one scarcely notices.” He was confirmed in The Church of Ireland “in total disbelief.”
The script presents us with the structure of Lewis’
life – his time at Oxford, his enlisting in the army during World War I – but
the substance of the narrative is his internal life. He refers to one spiritual
epiphany as an event compared to which “everything else that ever happened to
me was insignificant by comparison.” He stresses that he experienced joy then, not happiness or pleasure.
The script offers us insights to his education – he
mentions people like G. K. Chesterton and J.R.R. Tolkien. However, he refers to
none of his writings. We learn the unexpected when he tells us that at one
point in his life he developed “a ravenous desire for the supernatural”, and
speaks of séances and ouijas.
The passage from non-believer to theologian was
gradual. He was first converted to theism, not Christianity, in 1921, when he
“admitted that God is God.” “All my books were turning against me,” he tells
us.
Later he tells us “I remember when but hardly how
the final step was taken.” It was during an excursion to a zoo in 1931. “Rock
bottom reality had to be intelligent” he realizes. So complete was his
conversion that he tells us “I’ve never met a mere mortal.”
Mr. McLean is a very fine actor. His work is precise and meticulous. He gives
us all the variety he can find in his stage life, smoking, drinking, leaning
against a table, holding his hands at shoulder-level, palms outward. He has a
great time with diction in his British dialect, from time to time stressing
sounds like the opening of “mmillions of years” and the plosive in “Nature is a
sinking ship-ah.”
Along with Mr. Denison, Mr. McLean has directed a rigorous
philosophical exercise. The Most Reluctant
Convert is an inspired script, and the intellectual workout is masterfully
executed. But although the show engages us intellectually, it fails to capture
our emotions. Mr. McLean is adept at indicating a new thought, but he too
seldom indicates a new emotion. His work in another solo show, The Screwtape Letters (based on Lewis' book), earlier this
season, had an emotional range that this script doesn’t give him the
opportunity to realize.
And so in the course of 90 minutes we move from “I
was angry at God for not existing,” to “Unlike my first Communion 17 years
earlier, I now believed.” How many stage shows take us on such a journey?
ReviewSteve Capra
March 2017